Tag Archives: My first moley swap

It’s about time!

It is a bit chilly tonight here in Texas as I sit with my homemade mocha; I have finally gotten around to learning to use the espresso machine that I bought nearly a year ago. To both the chill in the air and the fact that I can finally make my own coffee, I say, “It’s about time”.

There’s something else that is long overdue, and that is my blog post about my first moley spread. Now that I’ve found my new corporial method of writing entries, I’ve gotten around to it.

As I have posted before, my theme was a blending of Persian artwork and the idea from Clive Barker’s Weaveworld that there is a magical place that can be woven into the threads of a carpet. One modern day Persian artist that paints the most beautiful paintings is Mahmoud Farshchian. I love the intricate detail and the brilliant colors that he uses to paint the traditional Persian motif.

Going back further in time, Persia has a rich and beautiful artistic tradition. The simple yet intricate brushwork of the miniatures and the dedication of weaving geometric designs in silk and wool into carpets for months and years at a time. it is truly amazing.

I wanted to incorporate this along with some traditional subjects into the few pages that I had to work with. First, there were the inside cover and facing page to fill, then the first three pages of the fold out accordian of the Japanese style moley.

Here you see the inside cover of my moley with the facing page.

On the inside of the front cover I needed to include information about the route the moley would take, my contact info and the title of the moley. I started by drawing a girl remiscient of the style of Mahmoud Farshchian. Then I filled in the facing page with my contact info at the top and under it a map of the route the moley is to take. I decorated the map with a carpet-like border and wound around a fabric / paper banner to hold it all together.

After inking the page and coloring it with Prismacolor Markers, I discovered two things. The first was that while the non-waterproof Noodler’s cactus fruit colored ink I had previously used to ink was not affected by the alchohol based markers, the Noodler’s bulletproof and water resistant black ink that I used on part of the drawing smeared when it came in contact with the marker, muddying the color and softening the lines. Definately, not good.

Secondly, I realized that while the accordian style binding negated the effect of bleed through for nearly allof the pages of the moley, the page facing the inside cover had marker bleed through onto the first of the next three pages that I needed to work on luckily the bleed was confined to only a few areas, but it was something I needed to consider when working on the other side.

I decided that for the next page on the flip side of my completed work I would only use the cactus fruit ink that did not bleed with Prismacolor Pencils. When sketching out the design in pencil I started with a carpet like border that I initially thought that I would continue along the entire edge. Later, when drawing it, I decided to fade it out instead.

These are the first three accordion pages of my moley leaving the rest to be filled in by other artists

I went with a sprawling hillside landscape like you might see in a hunting or polo motif, In fact I put a couple horseback riders playing polo on the first page. I liked the girl that I had put in the previous pages so much that I put another here as well. In the lower right a rokh sweeps onto the page and covers most of the bleed through that I was worried about from the previous page. A rokh is a huge predatory bird from Persian mythology known to pick up horses and even elephants in it’s talons and carry them off. Interestingly, this work came to be the word “rook” in English which of course is the castle-like chess piece.

For the rest od the spread I layered in a number of better known Middle Eastern stories and myths. There is a guy opening a cave of treasures in the cliff a la Ali Baba and another rubbing a magic lamp to extract a genie like Alladin. A djinn peeks over the tops of the hills and a large city with the iconic bulb topped towers looms in the distance.

It was safe to use marker again on the last two pages, so I did and learned to do some decent blending to make the grassy hillsides look correct. Overall, I am happy with it and am looking forward to seeing what other artists will add on the following pages. i think I did a decent job of incorporating Persian motifs though Alladin and Ali Baba aren’t really all that authentic.

Are there any myths or characters you would have included or would like to see in the future? Please let me know in the comments below.

Moley Update

Well, it’s a good thing that I am not as far behind on my moley drawing as I am on my blog posts. I have finished my work on my own moley and sent it off to the next player and also finished off the drawing on the next one which has an MC Escher theme. I will have to stop slacking and start posting up some more work. I will, soon.

Themes, carpets and magic

I’ve signed up for my first Moley swap and now I need to pick a theme. I toyed with the idea of doing something in the style of Mucha. Possibly with dark or fantasy subjects, but it just didn’t feel right, so I continued to think about it and have finally come up with a theme.

There are two inspirations for my theme. The first is the memory of beautiful Persian carpets that I have had the pleasure of seeing. It is amazing the time an craftsmanship that goes into these works of art. While a few of the rarer authentic carpets depict scenes of a hunt or of people, the majority of them are geometric patterns. Generally there is a border of some sort along the edges and often a centerpiece as well. These are designed in this way to represent a garden with the border being a walkway or walls of the garden and the remainder being the plants, shrubs, trees and flowers of the garden. It is designed in this way to enable it’s owner to being the beauty of a garden indoors.

The truly amazing carpets in my option however are the ones depicting people and animals in the hunt. I love the Persian miniature style and would very much enjoy seeing people and animals woven into the pattern, interacting or doing their own thing.

The second inspiration for my theme is the book Weaveworld by Clive Barker. Central to the story is a magical carpet. As the story goes, there were a magical people long ago and as time progressed they found themselves to be hunted and needed to hide themselves. They used strong magics to weave their reality into a carpet, a carpet that depicted them and their existence. A carpet that if you looked at it just right, you could see moving and bustling with life, color and patterns. As the story progresses the carpet is found and becomes unraveled, releasing their existence back into ours. I really enjoy the thought of a magical world filled with strange creatures living just out of reach inside a carpet. One that you might be lucky enough to catch a glimpse of.

I hope that all of the participants enjoy this theme as I think that it sparks the imagination and leaves quite a bit open to creativity. I would like to see only hand-drawn or hand painted work and would enjoy seeing the work of different artists bleeding over into each other.

This promises to be a fun swap and I will continue to document it here.

Moleskine for my first moley swap

Moley swap

I have joined my first Moley swap. How it works is that there are 8 artists in the swap. Each artist provides a 3.5″ x 5.5″ inch Japanese Album style Molskine notebook.

Moleskine for my first moley swap

The artist sets out the theme and feel and any rules for their book and starts out the first few pages. Then each month they pass on the Moley that they currently have on to the next artist on the list to fill in the next four pages. Once your Moley has made the full rounds it comes back to you to keep and enjoy.

The interesting thing about this style of notebook is that the pages are folded like an accordion and attached at one end to the binding of the book. This allows the artwork to continue on flowing from page to page as long as the artists so desire.

Accordion folds of the Japanese style notebook

Currently, I am thinking up my theme for my Moley which I will post here once I make a final decision. The swap starts on September 19th and I need to be ready.